Akpan , Church S. (2003) “The role of ethno-musicology and ethno-linguistics in modern African communication system”. Nsukka Journal of the Humanities 13 , 126–135.
Bender , Wolfgang (1991) Sweet mother: modern African music. Chicago: University of Chicago Press.
Boni , Tanella (2000) “Women creating: hands , mind voices”. In Lisette Ferera , ed. Women build Africa , 171–179. Quebec: Musee de la Civilisation.
Brusila , Johannes (1990) “‘Modern Traditional’ Music from Zimbabwe , Virgina Mukwesha’s Mbira Record ‘Matare’”. In Mai Palmberg and Annemette Kirkegaard , eds. Playing with identities in contemporary music in Africa , 35–45. Uppsala: Nordiska Afrikainstituet.
Chia , Ndifoin Daniel (1997) “Kom oral poetry: a selection of occasional festival songs (instrumental songs)”. B.A. Long Essay , Department of English , University of Buea.
Feld , Steven (2000) “A sweet lullaby for world music”. Public Culture 12 , 1 , 145–172.
Finnegan , Ruth (1970) Oral literature in Africa. London , New York: Oxford University Press.
Hunt , Danica L. Stein (1993) “The changing role of women in African music”. Ufahamu 21 , 1–2 , 41–49.
Ifionu , A. O. (1989) “Cultural influences on igbo tranditional music from precolonial times to 1967”. Nsukka Journal of History 1 , 151–168.
Kah , Henry Kam (1998) Local government and nation-building in Wum Division 1949-72: a historical analysis. M.A. Thesis , Department of History , University of Buea.
Kah , Henry Kam (2005) ‘The cutlass my husband , the hoe my wife’: women and economic development among the Laimbwe of North West Cameroon in contemporary times. Departmental Seminar , Department of History , University of Buea.
Lewis , Desiree (2004) “African gender research and postcoloniality: legacies and challenges”. African gender scholarship: concepts , methodologies and paradigms , 27–41. Dakar: CODESRIA.
Loh , Choves (2005) “Wum land of plenty and disaster”. Cameroon Tribune , 30 November.
Longwe , Sara and Roy Clarke , eds. (1990) Woman know your place: the patriarchal message in Zambian popular song. Lusaka: ZARD.
“Music and Song”. In Encyclopedia of Africa South of the Sahara Vol. 3 , 210–238. New York: Macmillan.
Ndo , Muam Andrew (1999) “The Laimbwe people and their culture: traditional way of solving conflict”. Paper presented at a workshop in Bu organised by the Ecumenical Youth Peace Initiative Commission , 20 April.
Ngoh , Victor Julius (1996) History of Cameroon since 1800. Limbe: Presbook.
Onyeji , Christian (2004) “Music and the search for beauty”. Nsukka. Journal of the Humanities 14 , 148–159.
Palmberg , Mai and Annemette Kirkegaard eds. (2002) Playing with identities in contemporary music in Africa , Uppsala: Nordiska Afrikainstituet.
Saleh , C. T. (1985) “The performance or music in Mada society: a preliminary survey” Nigeria Magazine 53 , 2 , 25–26.
Sutherland-Addy , Esi and Diaw Aminata , eds. (2005) Women writing Africa: West Africa and the Sahel. Vol 2 , New York: The Feminist Press.
Sutherland-Addy , Esi (2006) “The politics of gender representation in the arts of Africa”. Lecture at the CODESRIA Gender Institute , 6–29 June.
Sutherland-Addy , Esi (2006) “Gender in the arts: a thematic overview”. Lecture at the CODESRIA Gender Institute , 6–29 June.
Tala , Kashim Ibrahim (1987/1988) “Aesthetics from an African perspective: a case of the Mbag’alum of the Mezam people”. Science and Technology Review 5 , 101–106. Tala , Kashim Ibrahim (1999) Orature in Africa. Saskatchewan: University of Saskatchewan Press.